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Play as vocation

Work becomes hobby, and the serious people go looking for risk on purpose.

The optimistic case, and the only one that produces societies you might want to live in. Nobody has to do anything, so people compose, build, study, and play — and the culture treats these as real occupations rather than hobbies.

Banks is unusually honest about the catch. A Culture citizen's work is play with good public relations, and the novels keep their plots by following the small minority who join Contact and Special Circumstances, because interfering in less advanced civilisations is the last activity with genuine stakes. The utopia is real; the stories still have to leave it to happen.

Egan takes the same premise somewhere stranger: if you are software, you can simply choose to find mathematics enthralling, and run at whatever speed suits. Which raises the question the pattern never quite answers — whether satisfaction you can edit is satisfaction.


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